
Below is a fascinating interview with Bel Ami owner George Duroy. Not only does he open up about inside details about his business (i.e. how many units he sells, how much he earns, etc.) he also dishes the dirt on his competitors, his controversial stance on shooting bareback movies, and gay for pay models. It's a long interview, but well worth the time to read. Here's some select quotes:
"I have the good luck to work in a country where, in the first twenty-five years of the AIDS epidemic, only eight people died of HIV infection as compared to 400,000 in the U.S. If I lived in California, I certainly wouldn't shoot without condoms..."
"The day The Advocate will publish its first ad for BelAmiOnline or some other porn company, I'll stop my occasional condom-free adventures."
"...to be better than COLT or Falcon can't be considered a victory. It's like thinking that being aboard the Lusitania is safer than the Titanic."
The interview was done by the gay news website, Towleroad.

Towleroad: When did Bel Ami come into existence?
George Duroy: I first used the Bel Ami name in May 1991, but I started the company only in the fall of 1993 after shooting my first film, Tender Strangers.
T: What were the early years like compared to now?
GD: Less hectic, more fun.
T: Do you intentionally cater to an American or any other market?
GD: Fifty percent of our customers are American and another twenty percent use English as their first language. Bel Ami was originally created as an American company and moved to Central Europe only after George W. Bush declared eradicating pornography to be one of his priorities. The whole company is still run according to the American regulations, and all the systems are in English. All the important employees are required to speak English; our COO is Australian and we have five American employees (another thirty are Czech, Slovak or Hungarian). I write most of my notes in English automatically.
T: Bel Ami is famous for its models; how do you find them?
GD: Nowadays, mostly through scouts. We have four full-time scouts working exclusively for us and there are others who work with us on a non-exclusive basis. Of course, some boys contact us directly or through our business partners. Occasionally, I meet somebody socially and he ends up as a model.
T: Are all your models exclusive? What qualities does a model have to have to be considered for Bel Ami?
GD: I'd say eighty percent of them are exclusive. Being an exclusive is not only about looks anymore. A certain "look" is automatic. But personality, reliability and a reasonable level of wholesomeness are equally important. Quite often, we take them for long trips. So the question is—can I have him around for three weeks? Is he able to get along with other people? Does he have a drug problem? Is he loyal? Would he resist escort offers while working for us? If any of these questions are answered unsatisfactorily, I wouldn't take that boy as an exclusive.
T: I've heard lots of models are "straight". Is that true? Is this a cultural difference, because I think it's hard for some Americans to see them enjoying enthusiastic sex with men, then identifying as straight.
GD: "Gay" porn was never dominated by gay models, and in the case of Bel Ami, not even half of the employees are gay. (In the last three years, we had seven babies born to our employees.) Gay porn should be more accurately called "all-male porn". I don't see this necessarily as a cultural difference—most of the models working for Corbin Fisher or Sean Cody are straight as well. I know some gay models in the U.S. who claimed to be straight to get a job with some of the American Studios.
On the other hand, I can't imagine that a really STRAIGHT man would be able to perform the way our models perform, no matter what they think they are. I, for one, certainly wouldn't be able to be "straight for pay". We live in a world where traditional labels don't apply anymore, partly as a result of gay emancipation. Being gay is not taboo anymore, and I'd say at least thirty percent of city boys in the Central European region happily experiment with their sexuality. Many enjoy it, but they wouldn't think of themselves as being gay. They simply mingle freely, going with their girlfriends to gay bars and fondling other boys in front of girls. And now tell me—what is their orientation?
Sometimes I joke, saying that very few gay men are so enthusiastic during sex with other boys as these "straight" boys. I suspect that gay men lost their monopoly on gay sex as a part of their social acceptance. Or that experimenting with all-male sex is simply "in".

T: Are models ever harassed or do they ever regret being in porn? What happens to them after their days as stars in your films; where is Lukas (pictured) today, for example?
GD: Lukas is still a part of the company. About thirty percent of our employees are models. In a production unit, most of them are either active models (like Luke Hamill or Todd Rosset) or ex-models (Lukas, Johan, Marty). Many of our boys are university students and come from regular, middle-class families. And quite a few are bright. For example, Mark Aubrey is our lawyer while Claude Cocteau built and runs our Web site. Dolph Lambert will get his I.T. degree soon, and Luke has one more year to go to get his degree in management. In September, we will send a number of models for intense language courses to Cape Town so we can start to shoot with them in English. Our initial selection usually pays off. On average, our models stay with the company at least five years.
Are they ever harassed? Yes, they are. Sometimes really badly. Recently, Kris Evans lost his job with the police force and the tabloids got involved. It is never pleasant, often stressful, yet always good for their integrity and their ability to defend their position.
T: Who are your favorite models of all time?
GD: Some of them are better performers, others better companions, but I like them all. (Smile) I have to be careful. They can be pretty jealous.
T: Bel Ami started doing bareback films a while ago. Some would call this irresponsible for encouraging viewers to do it, others would point out it takes risks with the health of the models and others don't care—they just like it. What do you think about the various reactions to barebacking in porn, and what precautions does Bel Ami take on bareback sets?
GD: I guess we've released no more than twelve to fourteen condom-free episodes in all these years. But this question requires a more elaborate answer, even though I have tried to explain my position many times with negligible effect. But let's try it again:
Bel Ami is the only company in this business which (in seventeen years) hasn't had a single case of ANY STD on the set. I have the good luck to work in a country where, in the first twenty-five years of the AIDS epidemic, only eight people died of HIV infection as compared to 400,000 in the U.S. If I lived in California, I certainly wouldn't shoot without condoms, but I see no special reason to stick to the same rules here. Eight deaths in twenty-five years doesn't constitute an epidemic—many more people die of ordinary flu here. Therefore, I think that while in the U.S. bareback equals Russian roulette, it is here merely condom-free.
To put it another way, we also don't keep a hurricane watch here, just because the Gulf of Mexico has that problem. I also don't think that not using condoms is a single reason for the AIDS epidemic, otherwise everybody in Slovakia would be dead already. I know very few people in this country who use condoms, and all the rest are perfectly healthy. I suspect that it has something to do also with alcohol, drug abuse, promiscuity and the whole gay party/club culture—that's what creates a really deadly mix.
I'd also like to say that I carefully followed the situation for twenty years before coming to this conclusion. It doesn't mean, of course, that something can't happen tomorrow on my set. But the chance a model would die in a car accident is about a thousand times higher.
As for encouraging the viewer: I don't encourage and I don't promote. If I did, I'd be much richer now. I promoted condoms and healthy sex for seventeen years in my films. In exchange for my goodwill, I lost about thirty percent of my customers at one point. I am unaware of a single case of somebody paying for my films simply because I was promoting safe sex. But I got a lot of hate mail for being "vanilla" and "boring".
Not a single gay lifestyle magazine—all of them owned by our major business partners—would ever do an interview with me or promote my business in appreciation of our work. Most of them didn't even acknowledge in these magazines that we (or any other porn studio) exists. Mainstream gay media treats porn like dirt, but keep using porn profits to finance their operations. If they want to promote safe sex, they should start promoting my safe-sex porn in their flagship glossy magazines. That is if they really believe we influence public sexual behavior that much. And if it is not so, then it would seem we simply create "dirty" fantasies, and condoms don't come into play.
The day The Advocate will publish its first ad for BelAmiOnline or some other porn company, I'll stop my occasional condom-free adventures. For the time being, I'll settle for compromise and try to stay afloat. Quite a monologue for somebody who still shoots ninety percent of his production using condoms!

T: Your use of real twin brothers (pictured) has also been controversial. How did you find them? Was this something they'd been doing together already? Do you have concerns about obscenity charges, especially in the U.S.?
GD: Controversy is the way to attract new customers. Nobody would write about you simply because you are a nice guy shooting good stuff. Michael Lucas could tell you something about this. It took me some time to digest this lesson. So I suspect obscenity charges would be good for sales. In the end, it was not Bel Ami who produced this film—I wonder who would be charged? It was shot in a country where it is perfectly legal...and as far as I know, it is legal in the U.S., too.
Bel Ami is not the first who shot twins, but I admit that the Peters Brothers don't leave anything to the imagination. They do it with rare energy. They were bugging me half a year that they wanted to shoot it, and believe me I was not in a hurry to agree. Legal counseling cost us more than both their salaries combined.
Are they doing it together in private? I've never been in their bedroom, but they stated that if one of them dies the other one would commit suicide—and I don't think they were joking.

T: What's your favorite film you've put out?
GD: I shot or produced quite a few films, but the only one I shot the way I planned is An American in Prague. So I like it. But my personal favorite is Summer Camp. It simply has all the elements I like in erotica.
T: Have you ever shot a film that you had to scrap or do you have any other disaster stories?
GD: I keep scrapping all the time. I daresay I am the biggest porn scrapper in history. We have a whole line of films based on scrapped material, the Out at Last series. In the beginning of each episode, I explain where it was supposed to be and why it wasn't. Disaster stories...I could write a whole book about that.
T: What do you think of COLT being put out to pasture?
GD: Although I have certainly read of COLT's filing for bankruptcy, I have been assured by people intimate with the California porn scene that the owners themselves remain fully financially secure. As you can imagine, this is a great relief to me, as if a giant burden has been lifted from my gay shoulders. Somewhere—I think at a party—I overheard someone say that Bernie Madoff himself could take lessons from the studio's owners. But of course I have no personal knowledge of their teaching credentials. Besides, I've only been in the business for 17 years...I could hardly be expected to comment on the veracity of any such allegations. They owe Bel Ami only $80,000, and I am glad I had the opportunity to contribute to their business experiment.
T: Is there a commercial future for gay porn?
GD: In the winter of 2008, my feelings about the future and quality of gay porn were quite pessimistic. The problem was, I didn't pay any attention to our Web property. I didn't even have a computer at home. When I got our 2008 financial report, it was clear to me that I either had to start paying attention or I'd face forced retirement along the lines of COLT—even though BelAmiOnline's numbers were still better than any other in the industry. But to be better than COLT or Falcon can't be considered a victory. It's like thinking that being aboard the Lusitania is safer than the Titanic.
So I spent half a year making drastic changes and reading all the unflattering comments on forums without getting resentful. In June 2009, we released a new site. In June 2010, our membership was seventy percent up and traffic had more than doubled—to one million individual visitors a month. So, of course, I am less gloomy now. Even our DVD numbers are up, and that came as a real surprise to me. I guess that the fact that a lot of our competitors are out of the picture helped.
So, to answer your question, what's happening in the business now is a real massacre, no doubt about it. But not all the pigs are being slaughtered. The biggest swine are dying, but many sucklings are doing just fine. Commercial porn won't disappear, but after this is over, the whole porn business will be a VERY different place.
